JACOB JR, MY JEWISH WORLD. PALACE OF CULTURE AND SCIENCE. WARSZAWA/POLAND

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PALACE OF CULTURE AND SCIENCE (PALAC KULTURY I NAUKI). WARSZAWA/POLAND

Sunday, Nissan 16, 5775. April 5, 2015.


Shalom! World.


For all the agressive westernisation that has overcome Warszawa, the four decades of communism have yet to be completely erased from the face of Warszawa. You couldn't miss this hulking giant of a landmark if you tried.

Originally commisioned by Stalin as a 'gift from the Soviet people' the 231 metre structure actually takes its inspiration from the capitalist world, named the Empire State Building, but, believe or not, was specifically designed to include influences from all of Poland's architectural styles. Stalin had sent a secret delegation to New York to learn both about the building and American construction methods, though the outbreak of WWII meant that it wasn't until 1952 that his architects were able to commence putting their knowledge into practice. Lev Rudynev, the brains behind the equally monstrous Lomonosov University in Moscow, was put in charge of the design and set about making the building into one of the most notoriuos examples of Socialist Realist architecture in the world. Over 5.000 workers were ferried in from the Soviet states and housed in a purpose-built village in Jelonki, west Warszawa, where they were effectively cut off from the outside world. Working around the clock, it took them just three years  to complete the Palace. In all 16 died during the construction, though despite th Olympian efforts of the labourers Stalin never lived to see his pet project completed.


Built using an estimated 40 million bricks and housing 3.288 rooms the Palace's purpose was to serve as not just party headquarters but also 'the people's castle', with invitations to the annual New Year's Eve Ball issued to the best workers in socialist Poland. Regardless of this building became an object of hatred and the palace was seen
as no more than a symbol of Russian hegemony. Viewed from a distance apparently it can be spotted from 30 km away - the palace appears a faceless monolith. Viewed closely several intricate details appear in focus. Under Stalin's orders architects travelled around Poland's key cultural sights, from Wawel to zamosc, observing Polish architectural traditions, hence the numerous crenulations, courtyards and motifs.

Once inside the ground floor becomes a maze of halls and corriors, with chambers named after Eastern icons - Yuri Gagarin, Marie Sklodowska-Curie (a famous communist sympathiser), etc. Brass chandeliers hang over clacking parquet flooring, secret lifts lie hidden around and allegorical socialist reliefs take inspiration from ancient mythology - it's easy to imagine Bond snooping around planting liste
ning devices. The crowning glory of the ground floor is the Sala Kongresowa, a decadent red theatre space apparently inspired by La Scala. Holding 2.880 its original use was to host party conferences, though the years it became better known as a concert venue - hosting acts as diverse as the Rolling Stones in 1967 and the Chippendales in 2006.



Given that the building boasts over 3.300 rooms there is not a lot to see, unless you're into conference facilities, so visitors are best directed to the terrace on the 30th floor. To get there you will need to buy a ticket, after which you'll be shepherded into an old-style lift complete with a lovely lift attendant who has probably been doing the job since the building opened.



Shalom! Aleichem.

Suporte cultural:  SOUL avec L'Integration d'Association avec Israel et dans le Monde/Fr .

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